夕时意境闽味餐厅【2022橄榄中国餐厅大奖 2021橄榄中国餐厅大奖 】-凯发k8游戏

林津：还原几近失传的闽菜

原标题：推广宣传闽菜 请乡厨当厨师长（引题）

林津：还原几近失传的闽菜（主题）

还原桔烧巴、糖醋软溜草、雄黄岛粉、软鲟粥等几近失传的闽菜，创立的闽菜馆入选首批30家重点“闽菜馆”创建单位……福建省餐饮文化促进会常务副会长、闽菜文化推广专业委员会主席林津，用自己的行动承担起了推广宣传闽菜的责任。近日，记者采访了她。

林津是“鼎鼎肉松”发明者林鼎鼎的第五代后人。因为是官厨之后，从小生活在三坊七巷，外婆又善于烹饪，地道美味的闽菜填满了林津的童年。

2008年，林津的外婆去世，记忆中闽菜的味道越来越淡。看到外地游客对地道福州菜的认知大多停留在荔枝肉、南煎肝、爆炒双脆等菜品上面，她有了创立品牌闽菜馆的想法。

2017年，林津创立本土闽菜品牌“夕时闽味餐厅”，主营地道福州菜。她要求，“夕时”的厨师长必须是地道的福州人，年龄要在50岁以上，并有长期当民间乡厨的经历。

开业之初，餐厅专门找依伯依姆聊天，收集他们记忆中的福州味道，并邀他们参与菜品的打磨。如今，“夕时”的菜谱中已有100道福州菜，其中包括桔烧巴、糖醋软溜草、雄黄岛粉、软鲟粥等几近失传的闽菜。

林津说，推广宣传闽菜是她的责任。去年12月，“夕时”参加了“全球new闽菜馆 123亮灯”仪式。“当时超过25个国家和地区的近300家知名闽菜馆同步亮灯，助力闽菜走向全国、走向世界。”

林津将位于三坊七巷旁的夕时意境闽味餐厅，定义为福州的城市会客厅。这里采用新中式装修，装饰陈列有寿山石、脱胎漆器等，并融入酒、茶、咖啡等元素，让闽菜宣传的形式更加多样。

“去年福建省商务厅出台《促进闽菜繁荣三年行动方案》，旨在进一步促进闽菜振兴和繁荣，让致力于闽菜推广宣传的人有了更强的动力。”林津说，希望用一道道菜传递闽菜文化，表达对故土的深情。

国广一叶最新出品 必属精品

【项目名称】：福州夕时意境闽味餐厅竣工实景

【项目地点】：福建·福州杨桥路3号三友大厦3层

【项目面积】：780㎡

【设计风格】：现代中式风格

【设计单位】：国广一叶·大宅设计研究院

【设计团队】：国广一叶·十八 设计事务所

【主创设计】：蔡金

【方案审核】：魏营

【设计指导】：叶斌首席设计

【软装指导】：国广一叶·大美软装分公司

【主要用材】：原木、木格珊、字画、彩色漆等

【出品日期】：2020年1月

时光知味

本案设计运用了新中式设计并非传统意义上的复古明清，而是通过中式风格的特征，取其“雅”的精髓，加以融入现代风格的设计，以表达对清雅含蓄、端庄丰华的东方式精神境界的追求。

the design of this case uses the new chinese style design, not in the traditional sense of returning to the ancient ming and qing dynasties, but through the characteristics of the chinese style, taking the essence of "elegance" and integrating it into the design of the modern style, to express the pursuit of the oriental style spiritual realm of pure, elegant, implicit and dignified.

造型上——留白

in terms of shape - left blank

以简单的直线线条体现新中式风格的朴素简洁。新中式风格的家具更加的注重线条的装饰，摒弃了传统家具较为复杂的雕刻纹样，质地以实木为主。在家具的设计与功能上，也进行了相应的优化。

simple and simple lines reflect the new chinese style. the new chinese style furniture pays more attention to line decoration, abandons the more complex carving patterns of traditional furniture, and the texture is mainly solid wood. in terms of the design and function of furniture, corresponding optimization is also carried out.

汲取中国古典园林设计内涵，移步换景、因景互借，从而营造出曲婉深邃的空间意境之美。中式屏风或窗棂隔断视线，以曲径通幽的视觉美感令中式空间曲折之间极尽幽玄之意。

draw the connotation of chinese classical garden design, change scenery step by step, borrow each other because of the scenery, so as to create the beauty of deep space artistic conception. chinese screen cut off the line of sight, making the chinese space full of mystery between twists and turns with the visual beauty of winding paths.

色彩上——雅致

color elegant

在新中式风格的设计中，追求的是一个“雅”字。新中式风格的色彩主要以黑色和白色为主。传统书法自身具有隽永的艺术魅力，其作为中式室内陈设之品，是提升空间文化韵味和体现空间文雅意境的极佳装饰。

in the design of new chinese style, the pursuit is a "elegant" word. the color of the new chinese style is mainly blackand white.traditional calligraphy has its own meaningful artistic charm. as a chinese style interior display, it is an excellent decoration to enhance the charm of space culture and reflect the elegant mood of space.

传统书画装饰，有着无有穷尽的线条之美，加之软笔生纸的推波助澜，淋漓尽致地反映出阴阳、刚柔、违和、黑白、虚实等意趣，与纸墨之外的自然环境契合，无声而有音乐的和谐，无色而具画意的绚烂。

traditional calligraphy decoration, with the beauty of endless lines, and with the help of soft pen and paper, vividly reflects the interest of yin and yang, hardness and softness, disobedience, black and white, falsehood and reality, and matches with the natural environment outside the paper and ink. it is silent and harmonious with music, colorless and picturesque.

材质上——穿插

material - interleaving

新中式风格在中式风格上有所创新。不单单继承了原有的中式风格的材质，也增加了现代风格中的独特材质。如玻璃、不锈钢等。作为中式空间的陈设之物，传统书法在展示书韵的同时，也是居者颐养人格和自我观照的凭借，陶冶着据居者的心境与品性。正如文震亨《长物志·书画·赏鉴》说:“看书画如对美人，不可毫涉粗浮之气。

the new chinese style has some innovations in the chinese style. not only inherited the original chinese style materials, but also increased the unique materials in the modern style. such as glass, stainless steel, etc.as a display of chinese style space, traditional calligraphy not only displays the charm of the book, but also is the support of the residents' self-cultivation and self-care, which cultivates the mood and character of the residents. as wen zhenheng said in the chronicles of long things, calligraphy and painting, appreciation, "if you look at calligraphy and painting, you can't touch the air of coarseness.

装饰上——简约

decoration - simple

众所周知，中式风格的装饰品的种类繁多是其他风格无法比拟的。正是这些装饰品造就了中式风格的无以伦比。装饰品分别包括了字画、灯饰、摆件、挂件、布艺和绿植等方面。其实无论在哪个时期，中国人对居住环境的研究和追求都是永不止步的。而中国古人的一些设计理念与思想，与现代风格当中的简约主义有不谋而合之处。

as we all know, the variety of chinese style decorations is incomparable to other styles. it is these decorations that make the chinese style incomparable. decoration includes calligraphy and painting, lighting, ornaments, pendants, cloth art and green plants.in fact, no matter in which period, chinese people's research and pursuit of living environment are endless. and some design ideas and thoughts of ancient chinese coincide with the minimalism in modern style.

正如音乐的留白给人以“此时无声胜有声”的遐想，国画的留白传达着以虚观实的空白之妙。空间的留白则为心灵预留出宽广的栖息之地，这也是设计的灵魂之所在。“实以形见，虚以思进”，虚实在空灵之中相生为一幅诗意图画，空间的情境悠然而生。

just as the music blank gives people the reverie of "silence is better than sound at this time", the blank of traditional chinese painting conveys the magic of the blank with the concept of emptiness and reality. the blank space reserves a broad habitat for the soul, which is also the soul of the design. "reality is seen by form, and emptiness by thinking". emptiness and reality are created into a poetic picture in the emptiness, and the situation of space is born leisurely.

书法本身就是奇佳的造景元素，中式空间因书法而增添文雅气息，书法也因中式空间的烘托得以显示回味无穷的艺术魅力。而不同书风又需适宜不同体裁，如选诗词，字宜飘逸；如选槛联，字宜苍劲；如选匾额，字宜丰腆雄伟。

calligraphy itself is a landscape element. chinese style space adds elegance because of calligraphy, and calligraphy also shows endless artistic charm because of the contrast of chinese style space. different styles of writing should be suitable for different genres, such as poems, elegant characters, strong characters.

如：删繁去奢，绘事后素；宜设而设，精在体宜；因景互借等等。在经过融合之后而形成的新中式风格中，体现出来不单单是中式风格的延续，更是国人一种与时俱进的发展理念。

such as: to eliminate extravagance, to draw things after the element; appropriate to set, fine in the body appropriate; because of the landscape mutual borrowing and so on. in the new chinese style formed after integration, it embodies continuation of chinese style, a development concept of keeping pace with the times.